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Cano, Alonso
Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,

 

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Cano, Alonso The Vision of Saint John oil painting

Painting ID::  9845

X 
 

Cano, Alonso
The Vision of Saint John
1635, Wallace Collection at London.
   
   
     

 

 

Cano, Alonso St. John the Evangelist with the Poisoned Cup a oil painting

Painting ID::  9846

X 
 

Cano, Alonso
St. John the Evangelist with the Poisoned Cup a
canvas, Mus??e du Louvre, Paris.
   
   
     

 

 

Cano, Alonso St James the Greater oil painting

Painting ID::  9848

X 
 

Cano, Alonso
St James the Greater
canvas, Mus??e du Louvre, Paris
   
   
     

 

 

Cano, Alonso The Dead Christ Supported by an Angel r oil painting

Painting ID::  9849

X 
 

Cano, Alonso
The Dead Christ Supported by an Angel r
1646-52, oil on canvas, Muso del Prado at Madrid.
   
   
     

 

 

Cano, Alonso St John the Evangelist with the Poisoned Cup (mk05) oil painting

Painting ID::  20340

X 
 

Cano, Alonso
St John the Evangelist with the Poisoned Cup (mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
   
   
     

 

 

Cano, Alonso St James the Major (mk05) oil painting

Painting ID::  20342

X 
 

Cano, Alonso
St James the Major (mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
   
   
     

 

 

Cano, Alonso St Isidore and the Miracle of the Well (mk08) oil painting

Painting ID::  21633

X 
 

Cano, Alonso
St Isidore and the Miracle of the Well (mk08)
c.1646-1648 Oil on canvas, 216x149cm Madrid,Museo del Prado
   
   
     

 

 

Cano, Alonso The Dead Christ Supported by an Angel oil painting

Painting ID::  28051

X 
 

Cano, Alonso
The Dead Christ Supported by an Angel
mk61 Oil on canvas 178x121cm
   
   
     

 

 

Cano, Alonso The Miracle of  the Well oil painting

Painting ID::  28307

X 
 

Cano, Alonso
The Miracle of the Well
mk60 Oil on canvas 216x149cm
   
   
     

 

 

Cano, Alonso St.Fohn the Evangelist's Vision of the Heavenly Ferusale oil painting

Painting ID::  32905

X 
 

Cano, Alonso
St.Fohn the Evangelist's Vision of the Heavenly Ferusale
mk84 London,canvas 83x45cm
   
   
     

 

 

Cano, Alonso St.Isidoro and the Miracle of the Well oil painting

Painting ID::  32918

X 
 

Cano, Alonso
St.Isidoro and the Miracle of the Well
mk84 1645-50 Madrid,Prado,canvas 216x149cm
   
   
     

 

 

Cano, Alonso St.Isidoro and the Miracle of the Well oil painting

Painting ID::  32919

X 
 

Cano, Alonso
St.Isidoro and the Miracle of the Well
mk84 1645-50 Madrid,Prado,Canvas 216x149cm
   
   
     

 

 

Cano, Alonso At Isidore and the Miracle of the Well oil painting

Painting ID::  33635

X 
 

Cano, Alonso
At Isidore and the Miracle of the Well
mk86 c.1646-1648 Oil on canvas 216x149cm Madrid,Museo del Prado
   
   
     

 

 

Cano, Alonso Saint John the Evangelist-s Vision of Jerusalem oil painting

Painting ID::  43826

X 
 

Cano, Alonso
Saint John the Evangelist-s Vision of Jerusalem
1636-37 Oil on canvas, 83 x 44 cm
   
   
     

 

 

Cano, Alonso The Vision of St Bernard oil painting

Painting ID::  43829

X 
 

Cano, Alonso
The Vision of St Bernard
c. 1650 Oil on canvas, 267 x 185 cm
   
   
     

 

 

Cano, Alonso The Vision of St Bernard oil painting

Painting ID::  43830

X 
 

Cano, Alonso
The Vision of St Bernard
c. 1650 Oil on canvas, 267 x 185 cm
   
   
     

 

 

Cano, Alonso St Isidore and the Miracle of the Well oil painting

Painting ID::  55737

X 
 

Cano, Alonso
St Isidore and the Miracle of the Well
mk244 c.1646-1648 Oil on canvas 216x149cm
   
   
     

 

 

Cano, Alonso Saint John the Evangelist's Vision of Jerusalem oil painting

Painting ID::  62369

X 
 

Cano, Alonso
Saint John the Evangelist's Vision of Jerusalem
1636-37 Oil on canvas, 83 x 44 cm Wallace Collection, London This painting, contracted on 23 November 1635, was executed for the convent church of Santa Paula in Seville. It is evident that the artist had mastered an Italianate manner of painting; the figure of the angel alone is sufficient to corroborate this observation. The partly clad body, the complicated, foreshortened pose, and the mastery of anatomical drawing are unique elements in Sevillian painting of the time, as are the deep perspective of the landscape and the delicate, translucent colours. Cano's mastery of this facile, sophisticated style suggests that he had passed time in Italy, although there is not the slightest evidence that he left the city until his final departure in 1638
   
   
     

 

 

Cano, Alonso San Francisco de Borja oil painting

Painting ID::  67695

X 
 

Cano, Alonso
San Francisco de Borja
San Francisco de Borja (Saint Francis Borgia), oil on canvas, 189 x 123 cm.
   
   
     

 

 

Cano, Alonso Portrat eines spanischen Konigs oil painting

Painting ID::  82803

X 
 

Cano, Alonso
Portrat eines spanischen Konigs
Oil on canvas Dimensions 165 x 125 cm (65 x 49.2 in) cyf
   
   
     

 

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Cano, Alonso
Spanish, 1601-67 Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,